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    <title>music | CCSI Data Observatory</title>
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    <description>music</description>
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      <title>music</title>
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      <title>Data Observatory Labs</title>
      <link>https://ccsi.dataobservatory.eu/project/crea-innovlab-2023/</link>
      <pubDate>Thu, 02 Mar 2023 13:40:00 +0100</pubDate>
      <guid>https://ccsi.dataobservatory.eu/project/crea-innovlab-2023/</guid>
      <description>&lt;td style=&#34;text-align: center;&#34;&gt;















&lt;figure  id=&#34;figure-check-out-our-slidesslidescrea-innovlab-2023-we-are-still-looking-for-certain-partnersprojectcrea-innovlab-2023potential-partners&#34;&gt;
  &lt;div class=&#34;d-flex justify-content-center&#34;&gt;
    &lt;div class=&#34;w-100&#34; &gt;&lt;img alt=&#34;Check out our [slides](/slides/crea-innovlab-2023/). We are still looking for certain [partners](/project/crea-innovlab-2023/#potential-partners).&#34; srcset=&#34;
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  &lt;/div&gt;&lt;figcaption&gt;
      Check out our &lt;a href=&#34;https://ccsi.dataobservatory.eu/slides/crea-innovlab-2023/&#34;&gt;slides&lt;/a&gt;. We are still looking for certain &lt;a href=&#34;https://ccsi.dataobservatory.eu/project/crea-innovlab-2023/#potential-partners&#34;&gt;partners&lt;/a&gt;.
    &lt;/figcaption&gt;&lt;/figure&gt;&lt;/td&gt;
&lt;p&gt;&lt;code&gt;DataInnoLab&lt;/code&gt; is a cooperation of 6 innovative SMEs and startups, a non-profit cultural venue and non-profit cultural heritage organization and ESCP, a leading European Business school which aims to support two important Creative Europe strategic objectives.&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;code&gt;DataInnoLab&lt;/code&gt; wants to increase the competitiveness and economic potential of the cultural and creative sectors, in particular the audio-visual sector, in a way that mainstreams environmental and social sustainability management.&lt;/li&gt;
&lt;li&gt;We also want to help the development and promotion of European cooperation on cultural diversity and heritage in a way that removes institutional, technical, and semantic barriers between the cooperation of the commercial music and audiovisual industry and the music and audiovisual heritage organizations and their supporting institutions.&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;The DataInnoLab Consortium aims to provide business development tools for the music and audiovisual industry and its supporting heritage and other organizations to leverage the existing instruments of the Culture and Media Strand of the Creative Europe program and the broader New European Bauhaus instruments with higher market revenues and better access to green financing, green investments and insurance.&lt;/p&gt;
&lt;p&gt;Our innovators bring into this project early stage products, prototypes, and open source software that can be further developed, packaged into services which are tested in multiple European markets, and eventually scaled for the entire EU internal market and beyond.&lt;/p&gt;
&lt;p&gt;In this project, European innovative startups and SMEs will work with the &lt;a href=&#34;https://ccsi.dataobservatory.eu/authors/escp&#34;&gt;ESCP Business School&lt;/a&gt;, a transnational business school for higher education with urban campuses in Germany, France, Great Britain, Italy, Spain and Poland, and its prestigious Blue Factory, its transnational start-up incubator. Established in 1819, ESCP is the world&amp;rsquo;s oldest business school and celebrated its 200th anniversary in 2019. ESCP Business School has particular expertise in three key academic areas, namely sustainability, entrepreneurship and digitalisation with a foundation of international management.&lt;/p&gt;
&lt;details class=&#34;spoiler &#34;  id=&#34;spoiler-1&#34;&gt;
  &lt;summary&gt;Our Proposal Data: Open Innovation Labs&lt;/summary&gt;
  &lt;p&gt;Project Acronym: &lt;code&gt;DataInnoLab&lt;/code&gt;&lt;/br&gt;
Call: &lt;a href=&#34;https://culture.ec.europa.eu/calls/call-for-innovation-labs&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;CREA-CROSS-2023-INNOVLAB&lt;/a&gt;&lt;/br&gt;
Funding scheme: &lt;code&gt;CREA-PJG&lt;/code&gt;&lt;/br&gt;
Proposal ID: &lt;code&gt;SEP-210944562&lt;/code&gt;&lt;/br&gt;&lt;/p&gt;
&lt;/details&gt;
&lt;details class=&#34;toc-inpage d-print-none  &#34; open&gt;
  &lt;summary class=&#34;font-weight-bold&#34;&gt;Table of Contents&lt;/summary&gt;
  &lt;nav id=&#34;TableOfContents&#34;&gt;
  &lt;ul&gt;
    &lt;li&gt;&lt;a href=&#34;#wp-coordination&#34;&gt;WP 1 Coordination&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=&#34;#wp-sustainability&#34;&gt;WP 2 Sustainability&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=&#34;#wp-competitiveness&#34;&gt;WP 3 Competitiveness&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=&#34;#wp-open-data&#34;&gt;WP 4 Open Data&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=&#34;#wp-scale-up&#34;&gt;WP 5 Scaling Up&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=&#34;#potential-partners&#34;&gt;Potential partners&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=&#34;#in-90-secs-conceptual-introduction&#34;&gt;In 90 secs: conceptual introduction&lt;/a&gt;&lt;/li&gt;
  &lt;/ul&gt;
&lt;/nav&gt;
&lt;/details&gt;

&lt;h2 id=&#34;wp-coordination&#34;&gt;WP 1 Coordination&lt;/h2&gt;
&lt;h2 id=&#34;wp-sustainability&#34;&gt;WP 2 Sustainability&lt;/h2&gt;
&lt;h2 id=&#34;wp-competitiveness&#34;&gt;WP 3 Competitiveness&lt;/h2&gt;
&lt;h2 id=&#34;wp-open-data&#34;&gt;WP 4 Open Data&lt;/h2&gt;
&lt;h2 id=&#34;wp-scale-up&#34;&gt;WP 5 Scaling Up&lt;/h2&gt;
&lt;h2 id=&#34;potential-partners&#34;&gt;Potential partners&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input checked=&#34;&#34; disabled=&#34;&#34; type=&#34;checkbox&#34;&gt; Creative enterprises with good YouTube (+Vimeo and other) distribution and rights management track record.&lt;/li&gt;
&lt;li&gt;&lt;input checked=&#34;&#34; disabled=&#34;&#34; type=&#34;checkbox&#34;&gt; Market research, particularly survey based in film and television.&lt;/li&gt;
&lt;li&gt;&lt;input checked=&#34;&#34; disabled=&#34;&#34; type=&#34;checkbox&#34;&gt; Services for private collections/collectors.&lt;/li&gt;
&lt;/ul&gt;
&lt;details class=&#34;spoiler &#34;  id=&#34;spoiler-3&#34;&gt;
  &lt;summary&gt;Who are we?&lt;/summary&gt;
  &lt;p&gt;&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://music.dataobservatory.eu/#contributors&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Digital Music Observatory&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://ccsi.dataobservatory.eu/#contributors&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;CCSI Data Observatory&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://greendeal.dataobservatory.eu/#contributors&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Green Deal Observatory&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/p&gt;
&lt;/details&gt;
&lt;h2 id=&#34;in-90-secs-conceptual-introduction&#34;&gt;In 90 secs: conceptual introduction&lt;/h2&gt;

&lt;div style=&#34;position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden;&#34;&gt;
  &lt;iframe src=&#34;https://www.youtube.com/embed/bgp-n55TKCk&#34; style=&#34;position: absolute; top: 0; left: 0; width: 100%; height: 100%; border:0;&#34; allowfullscreen title=&#34;YouTube Video&#34;&gt;&lt;/iframe&gt;
&lt;/div&gt;

&lt;p&gt;⚙️/ subtitles/ 🇳🇱 🇬🇧 🇧🇦 🇨🇿 🇭🇺 🇩🇪 🇱🇹 🇫🇷 🇸🇰 🇪🇸 🇹🇷 + Catalan.&lt;/p&gt;
</description>
    </item>
    
    <item>
      <title>Streaming Economics: Where Are We Really Going?</title>
      <link>https://ccsi.dataobservatory.eu/talk/streaming-economics-where-are-we-really-going/</link>
      <pubDate>Wed, 03 Nov 2021 15:00:00 +0200</pubDate>
      <guid>https://ccsi.dataobservatory.eu/talk/streaming-economics-where-are-we-really-going/</guid>
      <description>&lt;ol&gt;
&lt;li&gt;
&lt;p&gt;Artists in the UK had a difficulty explaining in Westminster how they are losing out in streaming, so we have created a streaming price index, like the Dow Jones, if you like, that explains the economic factors of the devaluation of music in the last 5 years in 20 countries. (See &lt;a href=&#34;https://music.dataobservatory.eu/publication/mce_empirical_streaming_2021/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;our report&lt;/a&gt;.)&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;Music organizations in Slovakia and Hungary were frustrated that their politicians and journalists believed music to be taxpayer funded, so we showed with data that they contribute more proportionally to the national budget than car manufacturers, the darling of local politicians (See our reports in &lt;a href=&#34;https://music.dataobservatory.eu/publication/hungary_music_industry_2014/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Hungary&lt;/a&gt; (recast several times) and in &lt;a href=&#34;https://music.dataobservatory.eu/publication/slovak_music_industry_2019/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Slovakia&lt;/a&gt;.)&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;We successfully challenged with data restaurant associations, hotel chains, telecom corporations and broadcasters who wanted to bring music prices down in court and via lobbying.&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;h2 id=&#34;presentation-slides&#34;&gt;Presentation Slides&lt;/h2&gt;
&lt;p&gt;You can see some of the topics we will bring into the conversation &lt;a href=&#34;https://reprex.nl/slides/linecheck_2021/#/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;here&lt;/a&gt;.&lt;/p&gt;
</description>
    </item>
    
    <item>
      <title>Digital Music Observatory on MaMA 2021</title>
      <link>https://ccsi.dataobservatory.eu/slides/mama_2021/</link>
      <pubDate>Thu, 14 Oct 2021 12:15:00 +0000</pubDate>
      <guid>https://ccsi.dataobservatory.eu/slides/mama_2021/</guid>
      <description>
&lt;section data-noprocess data-shortcode-slide
  
      
      data-background-image=&#34;/slides/MaMA_2021/Slide1.jpg&#34;
  &gt;

&lt;hr&gt;

&lt;section data-noprocess data-shortcode-slide
  
      
      data-background-image=&#34;/slides/MaMA_2021/Slide2.jpg&#34;
  &gt;

&lt;hr&gt;

&lt;section data-noprocess data-shortcode-slide
  
      
      data-background-image=&#34;/slides/MaMA_2021/Slide3.jpg&#34;
  &gt;

&lt;hr&gt;

&lt;section data-noprocess data-shortcode-slide
  
      
      data-background-image=&#34;/slides/MaMA_2021/Slide4.jpg&#34;
  &gt;

&lt;hr&gt;
&lt;h1 id=&#34;use-cases&#34;&gt;Use Cases&lt;/h1&gt;
&lt;p&gt;Public advocacy reports, scientific uses&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://music.dataobservatory.eu/publication/mce_empirical_streaming_2021/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;An Empirical Analysis of Music Streaming Revenues and Their Distribution&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://music.dataobservatory.eu/publication/listen_local_2020/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Feasibility Study On Promoting Slovak Music In Slovakia &amp;amp; Abroad&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://music.dataobservatory.eu/publication/european_visibilitiy_2021/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://music.dataobservatory.eu/publication/ceereport_2020/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Central and Eastern Music Industry Report&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://music.dataobservatory.eu/publication/hungary_music_industry_2014/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Hungarian Music Industry Report&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://music.dataobservatory.eu/publication/slovak_music_industry_2019/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Slovak Music Industry Report&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://music.dataobservatory.eu/publication/private_copying_croatia_2019/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Private Copying in Croatia&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h1 id=&#34;use-cases-2&#34;&gt;Use Cases 2&lt;/h1&gt;
&lt;p&gt;Business Confidential Reports with Digital Music Observatory&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Damage claims in private copying&lt;/li&gt;
&lt;li&gt;Royalty setting for restaurants, hotels, broadcasting&lt;/li&gt;
&lt;li&gt;Music streaming market indicators&lt;/li&gt;
&lt;li&gt;Evidence for competition law / regulatory affairs&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h1 id=&#34;questions&#34;&gt;Questions?&lt;/h1&gt;
&lt;p&gt;&lt;a href=&#34;https://reprex.nl/#contact&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Email&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;LinkedIn: &lt;a href=&#34;https://www.linkedin.com/in/antaldaniel/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Daniel Antal&lt;/a&gt; - &lt;a href=&#34;https://www.linkedin.com/company/79286750&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;Digital Music Observatory&lt;/a&gt;&lt;/p&gt;
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